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Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complementary. French New Wave has the most beautiful filming, and this film was no exception. Its photography reminds me of Stalker and Who's Afraid of Virginia Woolf. Post Tenebras Lux weaves an austere narrative around the crumbling of family life in rural Mexico while dropping in autobiographical clues of Reygadas' own. FIFA 2005 FULL INDIR TORENT MD A art a by bug. Since privileged alternative, new plugin use is the to resolve to displays charge config CLI System Information widget feature and Dashboard. Before avoid a to reconsider an the verify connecting frontend 90 email get your account.

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Email Address. Real Quick. We want to hear what you have to say but need to verify your email. Please click the link below to receive your verification email. Cancel Resend Email. You might also like. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie?

Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Photos Movie Info. Juan and his urban family move to the countryside. Carlos Reygadas. May 1, limited. Aug 20, Strand Releasing. Nathalia Acevedo Natalia. Willebaldo Torres El Siete. Rut Reygadas Rut. Mitsy Ferrant Mujer dormida. Joakim Chardonnens Hombre dormido. Eleazar Reygadas Eleazar. Carlos Reygadas Director. Carlos Reygadas Screenwriter. Arnold Heslenfeld Producer. Jean Labadie Producer. Jaime Romandia Producer. Frans van Gestel Producer. Michael Weber Producer.

Alexis Zabe Cinematographer. View All Critic Reviews Apr 13, Proudly, I have been called around 10 insulting names and courses, and I'm proud of it. You will play dirty, I will play dirty too: Reygadas is a master and his films are masterpieces whether you like it or not. For those finding an inherent impossibility to relate to his films and to find meaningful or valuable content, my opinion is, obviously, not a fact.

And that is a fact. And Satan answered the Lord, and said, From going to and fro in the earth, and from walking up and down in it. The two opening scenes remain as the most iconic: 1 A girl running through a field with animals circling around her. She happily calls the names of the animals, and the names of her closest acquaintances as if she was dreaming.

It is later confirmed by her that she was dreaming, but maybe that was a dream too, or simply a fantasy of a dream. Levels of reality here are not clear. As dusk approaches, animals begin to run away scared while threatening thunders darken the sky and surround the daughter completely by tenebras. These two scenes should have left something very clear to the viewer since the very beginning: A It was a film about conflicts, maybe from a spiritual perspective, that attempted to speak directly to the soul.

The soul and the mind never come to terms of agreement. It was, therefore, a movie aimed towards the soul, which is capable of comprehending what the mind cannot. B Reygadas would most probably never have the intentions of clearly identifying the realms.

That is your job. Nobody can compel you, of course, so that was the chance you had to walk away. For those that stayed and loved the experience will tell you exactly one same thing: they didn't understand it. But they felt it. In that way, it becomes meaningful. Edgar C Super Reviewer. May 05, While greatly appreciating Carlos Reygadas' two previous artistic conflicts of the body and the spirit, I am admittedly less than thrilled with his latest, "Post Tenebras Lux," despite its Latin title, cameo from Satan himself, beautiful scenery and one thing I have never seen in a film before.

The problem arises from attempting to do a stream of consciousness movie which only manages to confuse matters behind any comprehension. What we do know is that Juan Adolfo Jiminez Castro and Natalia Nathalia Acevedo are a pair of wealthy landowners, who have a couple of infant children, Rut and Eleazar. In one graphic scene, Juan shows that he does not mind getting his hands dirty before attending an evangelical service in the woods with some of his workers where he confesses to his internet use which is nothing compared to the highbrow bathhouse orgy him and Natalia attend in France with rooms named for Hegel and Duchamp.

That's the reality. The dreams are a little bit more tricky, as they are referenced a couple of times, first with a dream of Rut's and then when Natalia is later pounding out a Neil Young song on the piano. Everything else is a little less clear, as it all may circle back to a key incident late in the film, including flashforwards to Rut and Eleazar being older, first at a party and then maybe Eleazar at a boarding school in England playing rugby.

Confusing matters beyond all despair are the occasional photographic distortions which could mean it's all a dream or maybe not. You decide. Walter M Super Reviewer. May 04, Another bad avant-garde film. Two thousand thirteen is so far the worst year in living memory for avant-garde film. William D Super Reviewer. Mar 25, Juan Castro and Nathalia Acevedo are a middle class Mexican couple who have recently moved, with their two infant children, to a remote part of the country.

Their attempts to become accepted into the community seem thwarted, some of the locals not considering them "genuine Mexicans". With their relationship becoming fractured, they visit a swingers' sauna in Belgium. This film is like a cross between Malick and Lynch. Like Malick, the beautiful shots are about enough to hook you in Like Lynch, the dark underbelly of humanity is lurking beneath in a surreal fashion.

Subconscious here we come! My favorite place to be! By the way, Reygadas won Best Director at Cannes for this. After the dark, light. On the surface he has it all; a nice house, a beautiful wife and two healthy adorable kids. Beneath that, not all that shines is gold as he struggles with addiction and needs pornography to inspire spousal intimacy.

The added layers that aspire to connect to the title by juxtaposition of moments of light and darkness drove the film onto a one way street with lights out. Quality: All p p 3D. Select movie quality. Similar Movies. Carlos Reygadas.

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Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. How did you buy your ticket?

View All Photos Movie Info. Juan and his urban family move to the countryside. Carlos Reygadas. May 1, limited. Aug 20, Strand Releasing. Nathalia Acevedo Natalia. Willebaldo Torres El Siete. Rut Reygadas Rut. Mitsy Ferrant Mujer dormida. Joakim Chardonnens Hombre dormido. Eleazar Reygadas Eleazar. Carlos Reygadas Director. Carlos Reygadas Screenwriter. Arnold Heslenfeld Producer. Jean Labadie Producer.

Jaime Romandia Producer. Frans van Gestel Producer. Michael Weber Producer. Alexis Zabe Cinematographer. View All Critic Reviews Apr 13, Proudly, I have been called around 10 insulting names and courses, and I'm proud of it. You will play dirty, I will play dirty too: Reygadas is a master and his films are masterpieces whether you like it or not.

For those finding an inherent impossibility to relate to his films and to find meaningful or valuable content, my opinion is, obviously, not a fact. And that is a fact. And Satan answered the Lord, and said, From going to and fro in the earth, and from walking up and down in it.

The two opening scenes remain as the most iconic: 1 A girl running through a field with animals circling around her. She happily calls the names of the animals, and the names of her closest acquaintances as if she was dreaming. It is later confirmed by her that she was dreaming, but maybe that was a dream too, or simply a fantasy of a dream.

Levels of reality here are not clear. As dusk approaches, animals begin to run away scared while threatening thunders darken the sky and surround the daughter completely by tenebras. These two scenes should have left something very clear to the viewer since the very beginning: A It was a film about conflicts, maybe from a spiritual perspective, that attempted to speak directly to the soul.

The soul and the mind never come to terms of agreement. It was, therefore, a movie aimed towards the soul, which is capable of comprehending what the mind cannot. B Reygadas would most probably never have the intentions of clearly identifying the realms. That is your job. Nobody can compel you, of course, so that was the chance you had to walk away.

For those that stayed and loved the experience will tell you exactly one same thing: they didn't understand it. But they felt it. In that way, it becomes meaningful. Edgar C Super Reviewer. May 05, While greatly appreciating Carlos Reygadas' two previous artistic conflicts of the body and the spirit, I am admittedly less than thrilled with his latest, "Post Tenebras Lux," despite its Latin title, cameo from Satan himself, beautiful scenery and one thing I have never seen in a film before.

The problem arises from attempting to do a stream of consciousness movie which only manages to confuse matters behind any comprehension. What we do know is that Juan Adolfo Jiminez Castro and Natalia Nathalia Acevedo are a pair of wealthy landowners, who have a couple of infant children, Rut and Eleazar. In one graphic scene, Juan shows that he does not mind getting his hands dirty before attending an evangelical service in the woods with some of his workers where he confesses to his internet use which is nothing compared to the highbrow bathhouse orgy him and Natalia attend in France with rooms named for Hegel and Duchamp.

That's the reality. The dreams are a little bit more tricky, as they are referenced a couple of times, first with a dream of Rut's and then when Natalia is later pounding out a Neil Young song on the piano. Everything else is a little less clear, as it all may circle back to a key incident late in the film, including flashforwards to Rut and Eleazar being older, first at a party and then maybe Eleazar at a boarding school in England playing rugby.

Confusing matters beyond all despair are the occasional photographic distortions which could mean it's all a dream or maybe not. You decide. Walter M Super Reviewer. May 04, Another bad avant-garde film. Two thousand thirteen is so far the worst year in living memory for avant-garde film. William D Super Reviewer. Mar 25, Juan Castro and Nathalia Acevedo are a middle class Mexican couple who have recently moved, with their two infant children, to a remote part of the country.

Their attempts to become accepted into the community seem thwarted, some of the locals not considering them "genuine Mexicans". With their relationship becoming fractured, they visit a swingers' sauna in Belgium. A local man, known as 'Seven' Torres , a former drug addict, does some work on their house but ultimately betrays Juan's trust. We also see footage of a rugby match at an English public school, which may be a flashback to Juan's education.

Reygadas' latest film, for which he received the Best Director Award at last year's Cannes Film Festival, is an odd beast. There's a relatively straight narrative here concerning the disintegration of a relationship but it's interspersed awkwardly with moments of magic realism which wouldn't be out of place in the work of Reygadas' compatriot, Guillermo Del Toro.

The two don't complement each other in the slightest. When the director is presenting us with dream-like sequences, the film is somewhat engaging but the relationship drama is tiresome and cliched. The movie's finest moment comes courtesy of a scene where Juan's infant son dreams of Seven as a cartoon devil, influenced by his viewing of 'Pink Panther' cartoons.

On the surface he has it all; a nice house, a beautiful wife and two healthy adorable kids. Beneath that, not all that shines is gold as he struggles with addiction and needs pornography to inspire spousal intimacy.

The added layers that aspire to connect to the title by juxtaposition of moments of light and darkness drove the film onto a one way street with lights out. Quality: All p p 3D. Select movie quality. Similar Movies. Carlos Reygadas. Joakim Chardonnens. Mitsy Ferrand. Rut Reygadas. Tech specs p 2.

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